نوع مقاله : مقاله پژوهشی
نویسنده
عضو هیأت علمی گروه هنر اسلامی، دانشکده هنر و معماری، دانشگاه تربیت مدرس، تهران، ایران
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسنده [English]
Reading the field of city art requires understanding the laws and
conditions that govern it, or the knowledge that governs its time. The
knowledge discussed in the present paper is defined as: the knowledge that
emerges from a deep reflection at any time, dialogue and education,
representing and interpreting that period of issues, phenomena, values and
insight, showing prospects that increase the potential for effective
government and artist action and decision-making, affecting and
responding to citizens' mental processing of the time. Accordingly, this
paper seeks to answer the following question: What are the components of
knowledge governing the field of city art that interact between the state,
the artist, and the citizen. Studies show that there is a kind of awareness of
city art that, through its components, derived from the current state of
urban societies, necessitates the participation and interaction of the state,
the artist, and the citizen. In such a way that the artist is given the
opportunity to present them as new art by considering such components in
the creation of his/her works. On the other hand, he/she can fulfill the
government's goals of creative urban development and transform them
into allegorical ways of effective knowledge and citizen acceptance. But a
recent paper of some of the artworks of Yazd indicates that because the
artist has poorly utilized or lacked knowledge of the components of
knowledge, he/she has not been able to guarantee the realization of the
government's intended goals and missions for citizens
کلیدواژهها [English]
منابع لاتین:
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